Mount Hope Meadow

Mount Hope Meadow was installed in Williamstown, Massachusetts in spring, 2009. A field and woods arrayed on the ceiling of a stone carriage barn.

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Orbis Viridis Obscurus

Orbis Viridis Obscurus (Dark Green World) comprises Polyopticon VII, several video loops based on camera obscura installations, and four new sculptural video works.

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Polyopticon VI: The Childress House

The sixth optical installation in the Polyopticon series took place during a residency at the Ucross Foundation in Wyoming in November 2007.

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SIxteen Windows (Polyopticon I)

Sixteen Windows, the first in the Polyopticon Series, transformed a 19th century New England meeting house by illuminating its ceiling with 16 projections of the sky and neighboring buildings.

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Polyopticon Series

The Polyopticon Series is an ongoing body of optical installations based on the camera obscura. Each piece is a response to a specific space, location, and community.

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Mars

The project Photographs Showing Landscape, Geological, and Other Features of Portions of the Planet Mars is group of silver-gelatin photographs from a 19th century surveying expedition to Mars. It is the result of a collaborative technical and historical reseach project conducted with students at Reed College.

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Eden

A body of photographic work exploring vernacular hunting snapshots and their social and aesthetic content. Silver, Lambda, and Inkjet prints exploring documentary, collage, re-photography, and visual play within the tabletop microcosm.

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Panavisions

The Panavisions are a series of large-format digital prints mining the mythic cinematic narratives of the Western and their cultural archaeology. The prints are digital collages in the wide Cinemascope format that play with imagery borrowed from Spaghetti Westerns, Arabic language manuals, grammar texts, and Renaissance prints.

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Dust

Made concurrently with the Panavisions, these photographic works explore similar themes of ambiguous landscape, narrative, and moral overtone.

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Photographs: Anamorphism

A selection of photographs loosely categorized around the shared feature of anamorphic distortion. These studio compositions involve visual interaction between the conventional three-dimensional world and an uncanny and sometimes conflicting visual element from another representational regime.

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Photographs: Still Life, Vanitas, Memento Mori

These images are concerned with conceptual themes of traditional still life. Tabletop compositions populated by discrete objects, be they curiosities or delectables, are intruded upon by the human form in various ways, or augmented by painted, printed, or drawn elements which, though phyically part of the scene, have a collage-like effect.

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